Do the Right Thing

"Do the Right Thing" New/#96, 1989

Interesting tidbit... this is the first movie from the 1980's that I've watched on the list so far. There are others on the list, but it's the first one I've watched so far.

I actually really liked this movie. It takes place during one ubber-hot-summer day in Brooklyn. And it follows Mookie, a pizza delivery guy and all the characters along the street and those at Sal's pizza place. One of the best things about this was all the character names: Da Mayor, Mother Sister, Buggin Out, Mookie, Radio Raheem, Pino, Coconut Sid, Sweet Dick Willie, Smiley,  Mister Senor Love Daddy.
And the other notable thing about it, is it has a ton of black actors in it (and a couple noteworthy non-black actors): Martin Lawrence, Samuel L. Jackson, Spike Lee, Bill Nunn (the cop in "Sister Act"), John Turturro (the Sector 7 Special Agent in "Transformers" and a bunch of Adam Sandler movies, like "Mr. Deeds"). It just seemed like every new character that was introduced was an actor I recognized.

Anyways, the movie has a ton of swearing, specifically using the f-word about once every two minutes. And it's about racism and violence, specifically one big violent mob at the movie's climax.
But, I like that the movie showcased one day of this neighborhood. And it really showed how violence was not a way to fight racism. So, I did like it, and I would recommend it in certain contexts. But it's not exactly a family- or kid-friendly movie.

At the very end of the movie, two great quotes, one from Martin Luther King, Jr., and one from Malcom X that finish out the film. They are:

"Violence as a way of achieving racial justice is both impractical and immoral. It is impractical because it is a descending spiral ending in destruction for all. The old law of an eye for an eye leaves everybody blind. It is immoral brecause it seeks to humiliate the opponent rather than win his understanding; it seeks to annihilate rather than to convert. Violence is immoral because it thrives on hatred rather than love. It destroys communinities and makes brotherhood impossible. It leaves society in monologue rather than dialogue. Violence ends by defeating itself. It creates bitterness in the survivors and brutality in the destroyers." -Martin Luther King, Jr.

I think there are plenty of good people in America, but there are also plenty of bad people in America and the bad ones are the ones who seem to have all the power and be in these positions to block things that you and I need. Because this is the situation, you and I have to preserve the right to do what is necessary to bring an end to that situation, and it doesn't mean that I advocate violoence, but at the same time I am not against using violence in self-defense. I don't even call it violence when it's self defense, I call it intelligence." - Malcom X

North by Northwest

"North by Northwest" #40/55, 1959
This was kind of a funny movie. A New York executive gets mistaken for a government agent by some baddies and they hunt him down. It's funny to see Cary Grant so bewildered by all the spy stuff. And of course there is a pretty young love interest that forces him to keep up with the spy stuff.
At the end, there is this epic, though intensely unrealistic, chase scene on the top of Mount Rushmore. It really was just so fake and unrealistic, but oh well.
I liked the movie, and of course, as he does in most of his movies, Alfred Hitchcock has a nice cameo at the beginning of the movie, where he runs into the door of a bus as he is attempting to board. And I'm not quite sure why, but it really made me laugh.
Here's a video of the opening credits, and his cameo takes place at the very end, around 1:45. Ah... makes me laugh every time.
This movie is not really all that great or bad. I give it a shoulder shrug and an "eh."

The Godfather, Part II

"The Godfather: Part II", #32/32, 1974

This movie posed an interesting problem. I hadn't seen the first Godfather movie, so how could I watch the sequel before the original? But, I couldn't watch the original because it's in the Top 10, and I was saving those for the end. In the end, I decided to watch part one, then watch part two, and I'll re-watch part one as I'm going through the Top 10.
I figured that was the best way to go about it considering I've already seen some of the movies, but am rewatching them in this process.
So... The Godfather: Part II...
This  movie was a really interesting overlap of two stories... current Godfather Michael Corleone going about his mafia business, and a flashback to Vito Corleone's childhood and how he got into the family business back before (and slightly after) Michael was born.

I really enjoyed the overlapping stories. I think it was handeled really well, and I liked the movie as a whole. There was a terrible moment at the end, when Michael could have redeemed and fixed two close relationships, but instead he did not, and he really did the opposite of what I wanted. So, that sucked, but still, a good movie.

The Birth of a Nation

"The Birth of a Nation", #44/Removed, 1915

Via the trivia available on imdb.com, I found out that after director D.W. Griffith made this film (which has some racial overtones-I'll get to that), he was criticized as being racist, and he was very hurt by this. So, he then made "Intolerance", which is also on the top movie list.

Now, this movie really is rather racist. It shows the American Civil War from the point of the South. And it shows the start of the KKK as a way to protect the southerns from the horrible new black-supremists that were terrorizing the place. In true 1910's style, this is a three hour long silent film, and D.W. Griffith didn't write a script or screen play at all. He came up with all the shots in his head, and simply explained to all the actors prior to each shot what was going on. I'm sure it really helped that it was a silent film, since he could then shout to the actors in the middle of scenes what he wanted them to do.

One of the things I liked the most about this was the soundtrack/score. Each character had their own theme music that would come on when a scene focused on them. So, it was probably the same eight songs played over and over again, with maybe a couple extra songs thrown in.

The first part of the movie shows two families who are long time friends - the Northern Stonemans and the South Camerons. They show them visiting each other prior to the war, and how much the two families care for each other. [[Major spoiler alert... but really, you probably won't be watching this movie ever, so who cares if I spoil it]] Then there is a really interesting scene where two men of the families (close friends) meet up on the battle field (fighting each other). One man is wounded on the ground, and the other man is approaching and about to stab him with the bayonet attached to his musket, and then he realizes who he is about to stab, and then embraces him as a brother and attempts to help him, but then they are both shot down, and die in each others' arms.
It was a very interesting scene that contrasted how much the North hated the South in general terms, but there was still a brotherhood love between individuals who were friends.

Good film, but a long, racist movie. I won't be watching it again, nor would I suggest it to anyone.

The African Queen

"The African Queen", #17/65, 1951
This movie takes place in 1914, at the very beginning of World War I. It takes place in Africa, and the African Queen is the name of a boat that Humphrey Bogart's character, Charlie, operates. He's a rough around the edges, blue collar worker, with a heart of gold. And he teams up (through a series of unfortunate events) with Katherine Hepburn's character, Rose, who is a proper, timid missionary (pretty petticoat and fancy hat).

The film was originally #17, and then drastically dropped to #65, which was the biggest drop in rank (without being removed from the list entirely).

This film has all sorts of interesting trivia to it. First of all, the first choice of actors for the two lead roles were not Hepburn and Bogart. But, it seemed to work out well for the filmmakers to end up with these two, as they are true superstars. Just like the Top 100 Movies list, AFI has a list of 100 Stars. Humphrey Bogart is the #1 male star, and Katherine Hepburn is the #1 female star.

Rose is living in an African village with her brother, as missionaries. Charlie has some kind of connection with them, I think delivering mail and just being the missionaries' connection to the outside world. Charlie shows up, and has lunch with them. There is this pretty hilarious scene over lunch with long, awkward, silent pauses between their forced small talk, and Charlie's stomach keeps growling in the pauses.
Then, the movie really kicks off when the Nazi Germans come in and destroy the whole village. And it was the most awful scene, they just run in with guns and set everything on fire and round up the villagers and haul them off somewhere, and leave Rose and her brother. But, dealing with the travesty proves too much for the brother and he passes away. Shortly after that, Charlie shows up and rescues Rose from this helpless, empty state she's left in and they board the African Queen.

The rest of the movie is this cute story of them living on this boat, getting to know each other, falling in love with each other, and having these desperate attempts to stop the Nazis. It gets really drawn on and slowly paced, but at the same time, it wasn't bad. The slowness just gave the audience the same feeling that the characters in the movies had of this drawn-out, never ending but still striving feeling, growing ever more hopeless, but still filled with this incredible motivation to get things done.

Nearing the end of their journey, there was a part where the river gets so narrow, covered by weeds, and current-less, that the boat simply won't move, so Charlie gets out, walks through the water while pulling the boat. (I tried to find the clip on youtube, but no such luck). When he gets back in the boat, he's covered in leeches. And Charlie is freaked out and shaking over them while Rose is putting salt on them to get them off. It's a scene that shows great acting by Bogart, and when asked in an interview about it, Bogart assured everyone that it was not great acting, he was thoroughly afraid of leeches.

This movie is not one I would particularly seek out to watch again, but if I was flipping through channels and came across it, I would stop and watch, at least for a little while. I think ultimately, the slow pace would lead me to change the channel again. But, it really was a great film, and I certainly think it belongs on the top movie list.

And, the last piece of trivia for you... The role of Charlie in the "African Queen" is the only Oscar of Humphrey Bogart's career.

Some Like It Hot

"Some Like It Hot", #14/22, 1959
This was a cute movie! It takes place in 1929, during prohibition. Though, everyone seems to know where to find the alcohol.
The movie is about two men who are musicians struggling to find a job. And there is a perfect job for them, except it requires two women. Then, when the men need to leave town (Chicago) to avoid getting killed, they decide to take the perfect job and get over the one thing that's not perfect, by dressing up as women.
It has the standard humor surrounding many comedies about men dressing up as women... getting used to high heels and nylons, and of course, our guys falling in love for women who are confiding in them as friends because they think our guys are women, and men who fall in love with our guys, thinking they are women.
The one particular women they're infatuated with is Sugar Kane Kowalczyk, played by Marilyn Monroe. With a name like Kowalczyk, it has to be good. Just kidding, they clearly called her Sugar (just don't tell the feminists).
This movie was pretty entertaining. It had good humor, great comedic timing, a relatively unique approach to the whole switch-gender thing, some good chase scenes, some nice musical numbers, and ultimately some pretty clever lines/scenes. I would definitely watch this again, and recommend it to others.
Here are some good lines, which may not make sense if you haven't seen the movie, but they certainly make me smile.

Jerry: Will you look at that! Look how she moves! It's like Jell-O on springs. Must have some sort of built-in motor or something. I tell you, it's a whole different sex!

Jerry: I'm engaged.
Joe: Congratulations. Who's the lucky girl?
Jerry: I am!
Joe: There's another problem.
Jerry: Like what?
Joe: Like, what are you gonna do on your honeymoon?
Jerry: We've been discussing that. He wants to go to the Riviera but I kinda lean towards Niagara Falls.

And, my favorite part, which I can't find the exact quote for, and I don't remember exactly how it goes as I watched this movie back in September (about 4 months ago), is when the two men are about to take the car out of the garage, and the garage attendant asks if they needs some gas (for their 100 mile trip) and they ask for 'about 50 cents worth' or something like that. I don't remember the exact quote, but I remember wishing that gas prices today were much more like gas prices back then.

Oh, one more thing I just remembered! Spats! There was this baddie named Spats Colombo, and I suppose he got his name from his love for spats. Spats are this kind of shoe covering. They go under pants and over the top of the shoe. And Spats Colombo was very particular about his spats, and it was super entertaining. These need to make a comeback in the world of fashion.

Midnight Cowboy

"Midnight Cowboy", #36/42, 1969
So I watched this movie back in November, but apparently, I never wrote about it. Whoops.

And, I wrote those lines back in July and never finished the post. Which means it's been over a year since I watched this movie, and I'm about a dozen movies behind blogging in general. So, major whoops on that. Apologies to the one person who reads this blog.

This movie has some really great acting by the young Dustin Hoffman and Jon Voight.
The opening scene is this montage between a whole bunch of southern diner workers shout "Where is that Joe Buck?" and Joe Buck, played by Voight, getting all gussied up as a cowboy. He then goes into the diner, announces he's quitting the dinner and moving to New York. And he does.
Joe Buck goes to New York with this great plan that he could be this suave southern cowboy and easily gain money by prostitution. He finds out that it's not quite the easy, carefree, rich lifestyle he'd planned on. But, he meets Ratso, played by Hoffman, who is used a street-smart thief who is used to the tough life of being beyond broke in New York. And they become friends.
And that's really the heart of the story. The odd deep friendship these two have and how they take great efforts to provide for each other. Ultimately caring more about the welfare of the other person over their own.
The content of the movie (prostitution, stealing, etc.) but, it was very sweet to see their unique and loving friendship. I guess I can't be too certain, since it has been a year since I've seen it, but I think I'd watch it again.